Opens on Friday nationwide.
Written and directed by Hayao Miyazaki; United States production directors, John Lasseter, Brad Lewis and Peter Sohn; English-language screenplay by Melissa Mathison, translated from the original Japanese by Jim Hubbert; music by Joe Hisaishi; produced by Toshio Suzuki; released by Walt Disney Studios. Running time: 1 hour 40 minutes. This film is rated G.
To watch the image of a young girl burbling with laughter as she runs atop cresting waves in “Ponyo” is to be reminded of how infrequently the movies seem to express joy now, how rarely they sweep us up in ecstatic reverie. It’s a giddy, touchingly resonant image of freedom — the animated girl is as liberated from shoes as from the laws of nature — one that the director Hayao Miyazaki lingers on only as long as it takes your eyes and mind to hold it close, love it deeply and immediately regret its impermanence.
“Ponyo” is the latest masterwork from Mr. Miyazaki, the influential Japanese animator who has advanced the art with films like “Princess Mononoke,” “Spirited Away” and “Howl’s Moving Castle.” The new film, despite the initial distractions of the recognizable voices crammed into the English-language version (a subdued Matt Damon, a fine Betty White), shares thematic and visual similarities with his earlier work, notably its emphasis on the natural world, its tumults and fragility. (As Mr. Miyazaki once put it, “All my animation and comics involve land, sea and sky — they all revolve around what happens on earth.”) But “Ponyo,” which takes some inspiration from “The Little Mermaid,” Hans Christian Andersen’s macabre fairy tale, has a narrative simplicity, or rather the clarity of a distillation.
